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An Interview with Filmmaker Danny Lyon: Part I

I made this recording with my parents Danny and Nancy Lyon in March of 2017, sitting in their apartment on Avenue A in New York City where I was visiting for the occasion of my dad’s 75th birthday. Many toasts were made on the eve of his birthday party the night before, most of them to Franklin D. Roosevelt, one of them to Eleanor. My dad finished his first film in 1969, and continues making them to this day.

After becoming a member of the Chicago Film Society last year I finally had some co-conspirators to help me lure my dad out to Chicago for a screening of his films. We will be screening two of them on Thursday, April 20 at the Logan Center for the Arts: Willie (1983) and Born to Film (1982), both in 16mm prints from Anthology Film Archives. This is Part I of a two-part interview. Part II can be found here. – Rebecca Lyon

Danny and Nancy Lyon in the New Mexico State Prison filming “Willie”. Photo credit: Jack Foley

The Traveling Filmmakers

DL: So you were saying we never talk about film. I was saying we never talk about anything.

RL: That’s not true. We worked together! I helped you make two films. We did Two Fathers together…

DL: I think the perfect helpers for me don’t say anything. They just do what they are told [laughing].

RL: That’s why you like me, because I don’t ask any questions.

DL: Nancy [Lyon] was the perfect sound recordist. And I thought, well, this is great, I’ve met the perfect companion, let’s put her to work. And our tax form has said ‘traveling filmmakers’ ever since.

We made many films, five, six seven films together. Nancy did the audio, but she also helped with the editing. Nothing happened without mom seeing it. She was an assistant editor on some films. She’s been involved in everything. So… you want to talk about the films?

RL: Do you want to start a little farther back?

DL: My formal education ended at the University of Chicago. I was a history major, ancient history mostly, and a philosophy minor. Self-taught in photography. I think the first movie camera I actually picked up was in Chicago, so I would have been doing The Bikeriders by then. So I was already past the Civil Rights [book, The Movement], and had done Uptown and The Bikeriders. So I think at that point I already was interested in film. Continue reading

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