Monthly Archives: March 2014

Tuning In, Taking Off, Dropping Out: Forman’s American Odyssey in 35mm

The Patio Theater – 6008 W Irving Park Road – $5.00 per ticket
For the full schedule of classic film screenings at the Patio, please click here.

Taking Off_Henry
Wednesday, April 2 @ 7:30pm
Directed by Milos Forman • 1971
Roger Ebert said it best: “[Milos Forman has] a rich appreciation for the everyday lives of people who do not realize how funny they are.” Few people are as funny, sweet, or immensely human as the middle-aged couple Larry and Lynn Tyne (played by Buck Henry and Lynn Carlin), whose teenage daughter Jeannie (Linnea Heacock) has run away from home to be with the hippie weirdos of 1971 (led in part by Carly Simon). As the couple searches for their daughter, they meet other parents looking for their runaway children and inadvertently rediscover their youth with the help of the Society for Parents of Fugitive Children. At once a vibrant cultural artifact and a gentle social commentary, Forman has kinder things to say about dysfunctional people living in  dysfunctional times than any of his peers, and finds genuine joy even in the bleakest situations. With Paul Benedict, Vincent Schiavelli, and Ike and Tina Turner. (JA)
93 min • Universal Pictures • 35mm from Universal



Wednesday, April 23 @ 7:30pm
Directed by Michael Curtiz • 1932
Iowa cigarette counter salesgirl Molly Louvain (Ann Dvorak) has everything figured out until her country club boyfriend leaves her penniless and pregnant. Hitting the road with a greasy lowlife (Leslie Fenton), Molly eventually winds up in Chicago, where she gets mixed up with a cop killing. Fawned over by a hayseed hometown suitor (Richard Cromwell) and pursued by transparently cynical newspaperman Scotty “Peanuts” Cornell (Lee Tracy), Molly finds herself in a clinch that even blonde hair dye can’t fix. A rare starring showcase for the wonderful Dvorak, The Strange Love of Molly Louvain is a brisk maternal melodrama and a mettle-testing gauntlet of spontaneous sincerity. Based on a play by Chicago’s Maurine Watkins, this nevertheless rates as one of the most geographically inept depictions of the Second City on film: a key scene occurs at the intersection of Clark and Dearborn, while Hyde Park comes across as Lake Michigan’s version of The Bronx.  (KW)
73 min • First National • 35mm from Library of Congress, permission Warner Bros.
Co-sponsored by Park Ridge Classic Film Series
Introduced by Christina Rice, author of Ann Dvorak: Hollywood’s Forgotten Rebel

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