Monthly Archives: February 2014

Nothing Can Keep a Good Film Society Down! Back at the Patio on Feb. 26 with Kiss the Blood Off My Hands in 35mm

The Patio Theater – 6008 W Irving Park Road – $5.00 per ticket
For the full schedule of classic film screenings at the Patio, please click here.

Kiss the Blood AWednesday, February 26 @ 7:30pm
Directed by Norman Foster • 1948
A film that requires no tagline, Kiss the Blood Off My Hands is the first feature made by Burt Lancaster and Harold Hecht’s Harold Hecht-Norma Productions, and a trendsetter for independent “tough guy who just needs some understanding” film noirs. After killing a man in a sloshy bar fight, former POW Bill Saunders (Lancaster) takes shelter in the arms of a kindhearted nurse (Joan Fontaine), who gets him a job delivering medical supplies. Lancaster’s past catches up with him soon enough, and a witness to his killing blackmails him into doing a robbery and throwing his new love away. Set in an eerie backlot approximation of London, Kiss the Blood Off My Hands is a violent, menacing emotional trainwreck held together by one of Joan Fontaine’s best performances. (JA)
79 min • Harold Hecht-Norma Productions • 35mm from Universal


And join us in March for another rare 35mm screening of a title that you won’t find on DVD…

Crime Without Passion A
Wednesday, March 12 @ 7:30pm
Directed by Ben Hecht & Charles MacArthur and Lee Garmes • 1934
Granted a baffling degree of freedom by distributor Paramount Pictures, professional script doctors Hecht and MacArthur set up shop at Astoria’s Eastern Service Studios and vowed to produce independent movies that would expose the sickening bloat of the studio system. By all accounts, Hecht and MacArthur banged out a crackerjack script and deemed the rest of the process superfluous: they lounged about on the floor while drunkenly playing backgammon and left the technical niceties to cameraman (and de facto director) Lee Garmes. The indifference extended to their protagonist, too—Lee Gentry (Claude Rains), a cocksure and conscienceless defense attorney whose peerless contempt for the “pitiful insects” of the world marks him as a pre-Ayn Rand übermensch. Gentry’s attempt to dispose of his mistress (Margo) leads to inevitable tragedy, complete with the flight of the Furies courtesy of montage maestro Slavko Vorkapich. An unlikely hit, Crime Without Passion offered audiences their first opportunity to scrutinize Rains without a bevy of bandages and a cloak of invisibility. (KW)
80 min • Hecht-MacArthur Productions, Inc. • 35mm from Universal

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