In the short history of the Northwest Chicago Film Society, we’ve faced some formidable challenges. In our first season, a 16mm print of Silver Lode was lost in transit. In our second season, one of the Portage Theater’s 35mm projectors fell off its pedestal right before a show of Comanche Station. And of course, back in May we found ourselves locked out of the Portage with no advance notice, collateral damage in the new landlord’s curious scorched earth campaign against his own theater. These kinds of obstacles are familiar enough for any film exhibitor or small business owner: logistics problems, equipment malfunctions, property disputes.
But there’s another looming problem that’s definitely out of the ordinary: the ongoing shutdown of the federal government.