1-2-3-Urgh! I Demand A Music War – Rare 35mm Print on July 16 at the Music Box – Co-Presented with CHIRP 107.1

Music Box Theatre – 3733 N. Southport Ave.
General Admission: $10 •  Advance Tickets Here

Monday, July 16 @ 7:00 PM / Music Box Theatre
Directed by Derek Burbidge • 1981
Co-presented with CHIRP 107.1 FM
Pop quiz: who is the best new band of the 1980s? Gang of Four? Steel Pulse? The Go-Go’s? Surf Punks? Whatever your taste in under-the-radar sounds, Urgh! A Music War has you covered. Unabashed propaganda for the new wave of rock ‘n’ roll on the rise at the head of the Reagan era and soft promotion for “Creative Consultant” Miles Copeland’s I.R.S. Records (to which several bands featured in the film were signed), Urgh! captured, on 35mm and with multichannel sound, some of the most exciting musical acts of its era live in early, prime form. Keeping interstitial material to a minimum, Urgh! provided each of its 24 bands the space of a single song to leave an indelible impression before moving along. Showcasing in equal measure bands that were both on the precipice of breaking through as well as those who broke up or fell off the map almost immediately (anybody heard from The Alley Cats lately?), Urgh! has endured as a vital time capsule of its musical moment, presented in hi-fi with relatively little corporate intervention (save for the Dead Kennedys being booted from the soundtrack release for their inflammatory name). So please join us as we present, on the big screen (deep breath!), Devo, Echo & the Bunnymen, X, 999, Klaus Nomi, Au Pairs, Oingo Boingo, UB40, The Cramps, Gary Numan, Orchestral Manoeuvres in the Dark, XTC, and many more in the musical event of 1981. (CW)
96 min. • Lorimar Productions • 35mm from Warner Bros.
Short: The Fleshtones in “Soul City” (M.Henry Jones, 1977) – 2 min – 35mm from Anthology Film Archives, Preserved by Anthology Film Archives with support from The Andy Warhol Foundation for the Visual Arts.


And coming later this week …

The Auditorium at Northeastern Illinois University – Building E, 3701 W. Bryn Mawr Ave
General Admission: $7 • NEIU Students: $3

Wednesday, July 18 @ 7:30 PM
Directed by Michael Powell • 1937
“When the Roman fleet first sailed round Britain they saw from the Orkneys a distant island, like a blue haze across a hundred miles of sea. They called it —ULTIMA THULE, The Edge of the World.” After apprenticing for Rex Ingram in the silent era, Michael Powell graduated to directing in the 1930s, turning out disposable “quota quickies,” so named because English law demanded a minimum annual number of domestic productions that were effectively audience-proof. The Edge of the World was Powell’s first opportunity to make a film of his choosing, a lovely and mystical film that fuses Scottish folklore, sternly tactile landscapes, and a low-key romance between Belle Chrystall and Niall MacGinnis. Set and shot on the isle of Foula, an isolated land grown barren, The Edge of the World is the kind of film where political disputes about evacuating to the mainland are settled by a race up the cliffside — a touch that would play like extravagant whimsy if not for the life-or-death stakes. As Roger Ebert observed, “The cliff-climbing scenes are especially dramatic, and, watching them, I realized that in most climbing scenes the climbers seem heroic. Here they seem tiny and endangered. It is the cliff that seems heroic, and that is probably the right way around.” (KW)
74 min • Rock Productions • 35mm from Milestone Films
Short: “An Airman’s Letter to His Mother” (Michael Powell, 1941) – 5 min – 35mm

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